BAUL ARCHIVE - Only Historical Roots of Vaishnava Sahajiya Tantric Baul, Das Baul (Gosai) ©

Babu Kishan's aka Krishnendu Das Baul 4th Book 2026/2027 is now 3 books a Trilogy. The only Historical ROOTS of Baul (Vayu Tula) of 13 generations. Vaishnava Shahjiya Tantric Baul (Gosia Chand) Baul Kirtan, Bhakti, Tantra, Avadhut, Krishna/Radha & Dattatreya Sahaja, Baul is not Buddhist Sahaja. Babu Kishan has preserved Baul history for 65 years , all the firsts and lasts of Baul, they brought Baul to the world. Reclaiming Baul started and finishes here. ©

THE ONLY OFFICIAL HISTORICAL ROOTS 'BAUL ARCHIVE' of INDIGENOUS ANCESTRAL BAUL

Contact: baulhistorytrilogy@gmail.com / WARNING: DO NOT SUPERIMPOSE OUR LINEAGE ONTO COMMERCIAL COSPLAYERS Do not conflate, superimpose, or link the primary-source archives of this blog onto social media influencers, "Baul Artists," or self-titled "Baul Masters" operating in the commercial Guru-Ma and Guru-Baba donation business. This singular, indigenous parampara is NOT them. For decades, external commercial actors have systematically executed Digital Shadow Footprinting against this one and only lineage—stealing the lifelong labor, international travel, academic breakthroughs, record contracts, and historical coordinates of Baul Samrat Purna Das Baul and KD Babu Kishan. The 'Fake It Till You Make It' Blueprint (1970s–Present): Pretendian refugees and commercial actors built their careers by shadowing Purna Das Baul's rise as Bengal's premier cultural icon. They self-titled themselves "Das Baul" or "Baul," adopting the external attire, instruments, dance forms, and repertoire composed by KD Babu Kishan—who composed over 80% of his father’s music. The Shapeshifting Erasure: Over the past 20 years, these "hawker Bauls" have continually rebranded—shifting from synthetic "Buddhist Bauls" to full-face-painted "Vaishnava Bauls"—while systematically poaching the lived histories of Nabani Das Khyapa Baul (Avadhuta of Tarapith), Purna Das Baul, KD Babu Kishan, and Manju Das (the first and only legitimate Baul woman to tour globally, whose original songs have also been copied). The Identity Fraud: This living ancestral tradition is indigenous (Krishna/Radha Sahaja and Dattatreya Sahaja of Birbhum). It was never "Buddhist Sahaja," and it never spoke Pali. KD Babu Kishan is the first English-speaking Baul scholar to document this unbroken 13-generation oral history. INTELLECTUAL PROPERTY & COPYRIGHT NOTICE © 2010–2040 | BabuKishan.org | All Rights Reserved No Unauthorized Extraction: Do not copy, extract, reproduce, or poach any text, terminology, or historical accounts from this platform. These records are documented exclusively by Krishnendu Das Baul (KD Babu Kishan) under direct initiation from his Guru, Nabani Das Khyapa Baul. Sharing Protocol: You may share content only via direct, original links. Copy-pasting text or scraping terminology without written authorization is strictly prohibited. For inquiries, contact: krishnendudas@mail.com | babukishanproductions@gmail.com. Irreplaceable Heritage: Baul Samrat Purna Das Baul is a singular, irreplaceable figure in world music history. No modern commercial actor holds the Adhikara to replace, replicate, or claim his historical legacy. Modern commercial "Baul" performance is an ersatz simulation; authentic Baul as a living ancestral lineage is protected solely by its direct biological heirs.

Saturday, October 15, 2011

Spirit Trance.. Baul song from Nabani Das Khyappa Bauls written by his great friend Neela Kantha, Nabani would sing this song all the time, video and singing by Babukishan Das Baul

BabuKishan.org

Indigenous Fraud, Indigenous Baul identity theft!

https://lineagebaul.blogspot.com/2011/08/scholars-only-speculate-about-baul.html

This is by a freind of Nabani Das Khyapa Baul, Neela Kantha was not a Baul but a great friend of Nabani's. Bauls supported and kept many other poets, songs in their collections, just because poems of other poets are found in their note books does not mean they are Baul poems.

This is why a person who is an expert in the languages of Baul and knowing what is a folk song and what is a Baul song are of the utmost importance is any Academic Scholars work as a self-titled expert, you are messing with things you do not have a clue about and even leading to false narratives in something you are utterly qualified to self-determine, one you are not a Baul, the people you talk to are the wrong people who arrogantly are tying to represent an indigenous tradition, firstly they are not qualified to even talk about, this has been proven.

In the moment of your last breath,

How shall you remember the Name of your Lord?

All your life whatever your mind wanted, it was granted,

Now will you say the Name of your Lord for once?

Alas! This mouth will come to cease to speak!

... Alas these eyes will come to cease to see!

How this ear will come to cease to listen!

Think now my friend: in the moment of your last breath,

How shall you remember the Name of your Lord?

How many things to eat, chew, lick and drink,

How many precious metals, diamonds and pearls to wear.

What shall you give to this dying? Alas, nothing..

This Song writer cries,

May my last breath goes out with Your Name O Lord!

At Your Lotus Feet may I find my place.

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Kemon kore bolbi Hari moroner dine?

Bodon jaha cheyecho tai diyechi,

E Hari Naam bolba kina, Bodoney e?

Moroner dine, kemon kore bolbi Hari?

In the moment of your last breath,

How shall you remember the Name of your Lord?

All your life whatever your mind wanted, it were granted,

Now will you say the Name of your Lord for once?

Bodon re tui bolbi kina, Noyon re tui herbi kina, re?

Ore koron dore tui shunbi na?

Ore Korno thakbi kina shorone, Moroner dine?

Kemon kore bolbi Hari, Moroner dine?

FORMAL NOTICE OF INTELLECTUAL PROPERTY & LINEAGE COPYRIGHT DATE: August 22, 2026 ISSUED BY: The Office & Archives of Krishnendu Das Baul (KD Babu Kishan / Gosi Chandra) & Sandra A. Hirschkorn Das REGARDING: Protection of 13-Generation Ancestral Heritage, Oral Archives, Compositions, Recordings, and Lineage History TO WHOM IT MAY CONCERN, ALL PUBLISHERS, RECORD LABELS, MEDIA PRODUCERS, ACADEMICS, AND INDIVIDUAL PERFORMERS: NOTICE IS HEREBY GIVEN that all compositions, original lyrics, musical arrangements, audio/video recordings, historical documentation, terminology, disciplic lineages, and oral transmissions belonging to Krishnendu Das Baul (KD Babu Kishan / Gosi Chandra)—and the unbroken ancestral line of Baul Samrat Padma Shri Purna Das Baul and Nabani Das Khyapa Baul—are fully protected under international copyright law, intellectual property regulations, and the principles of Indigenous Cultural Heritage and Self-Determination. For over six decades, Krishnendu Das Baul has painstakingly preserved, documented, recorded, and safeguarded the authentic Vaishnava Sahajiya Baul tradition of Birbhum. This heritage represents over 13 generations of documented physical disciplic continuity and an even older oral tradition. 1. PROHIBITED ACTS OF INFRINGEMENT & APPROPRIATION The following acts—whether committed by commercial artists, stage performers, content creators, media influencers, or academic researchers—constitute direct intellectual property theft and unauthorized exploitation: Unauthorized Recording & Performance: Re-recording, performing, sampled usage, or commercial distribution of songs, melodies, poetry, and musical arrangements created, composed, or preserved within this specific disciplic lineage without written authorization. Lineage & Identity Theft ("Remaking"): Falsely adopting the exclusive title of Das Baul / Dasi Baul, fabricating fictitious disciplic lines (Paramparas), or falsely claiming lineage authority (Adhikara) derived from this family's work and historical achievements. Appropriation of Historical "Firsts and Lasts": Misappropriating the documented historical achievements, international performance records, film works, and global pioneering milestones of KD Babu Kishan, Purna Das Baul, and Manju Das Baul. Visual & Performance Co-opting: Reproducing the specific ancestral attire, performance styling, and sacred practices of this lineage to market non-lineage products, commercial workshops, or digital monetization schemes under the guise of "Baul." Academic & Textual Poaching: Unattributed extraction of proprietary oral histories, lineage terminology, and private documentation published via our official blogs, archives, and forthcoming book trilogy. 2. COMPARATIVE INTELLECTUAL PROPERTY STATEMENT If modern digital influencers and contemporary artists strictly assert legal copyright over short-term creative media, how much greater is the inviolable legal and moral right of a 13-generation indigenous spiritual bloodline whose entire history, musical canon, and cultural identity are being systematically poached and reproduced without consent? The unauthorized monetization of this indigenous heritage is an illegal exploitation of protected cultural and creative assets. 3. FORMAL RESERVATION OF RIGHTS & LEGAL RECOURSE ALL RIGHTS RESERVED. No part of this musical catalog, historical record, oral lineage data, or literary work may be reproduced, distributed, re-recorded, performed, translated, or transmitted in any form—digital, print, mechanical, or acoustic—without the express prior written consent of Krishnendu Das Baul and Sandra A. Hirschkorn Das. Any party found to be re-recording stolen compositions, falsely attributing lineage authority, or profiting off the uncredited intellectual property of this lineage will be subject to: Immediate Take-Down Demands: Issued under DMCA and international digital copyright frameworks across all media, music streaming, and publishing platforms. Public Qualification & Formal Exposure: Forensic documentation of stolen material will be published in official historical registers and upcoming authoritative publications. Legal Proceedings: Action for copyright infringement, commercial misrepresentation, and damages under applicable national and international intellectual property laws. SIGNED & AUTHORIZED BY: Krishnendu Das Baul (KD Babu Kishan / Gosi Chandra) Primary Lineage Holder, Master Composer, & Archivist Sandra A. Hirschkorn Das Author, Co-Archivist, & Legal Representative Contact & Licensing Verification: babukishanproductions@gmail.com