THE ONLY OFFICIAL 'BAUL ARCHIVE' of INDIGENOUS ANCESTRAL BAUL

THE ONLY OFFICIAL 'BAUL ARCHIVE' of INDIGENOUS ANCESTRAL BAUL
www.BabKishan.org Copyright, All Rights Reserved, Do not copy or poach these stories as told only by Babu Kishan or part of these stories, for your youtube, books or blogs, All Rights Reserved. 2010 -2040
Showing posts with label Vedic. Show all posts
Showing posts with label Vedic. Show all posts

Friday, December 10, 2010







I am making distinctions because the word 'lineage' is thrown around so much these days. I have heard people one generations into Baul call themselves a Baul  Lineage, when in actual fact they are new born babies, who sing folk songs or a few Baul songs from this lineage? "they say my lineage", so we all can call ourselves lineage holders. I don't think that is how it works, and in actual fact, lineage is always based on ancestry. Baul is based on indigenous ancestry or many hundreds to thousands of years of practice. It is not a simple path, although it looks simple, just as the an accomplished Kung Fu Master makes it look easy. This easiness is called Sahaja and it comes from generations after generations of indigenous Baul ancestors. Baul is never base on one poet or a few generations, you can not or should not self-title yourself a Baul, you should not act or pretend to be an indigenous Baul, use their songs, copy there dress, and follow them all over the world pretending you are a Baul. There are actually laws in this now that prevent indigenous theft of their intellectual property. 

Pretending to be something you are not waters down the lineage, the reductionism is astounding and now while fake pretendian Baul have now decided they are fundraising to preserve Baul, when Baul has already been preserved over 60 years by Babu Kishan aka Krishendu Das Baul who is an indigenous ancestral Baul.

The new fake pretenbdian Baul actors do not know what they are talking about, they make up fake Baul Guru's and Fake Baul lineages duping people and telling them to come and join us, when Baul does not collect people. These fake Bauls leave out the information, water down the tradition? This is the way with all indigenous wisdom, if nobody says anything, then it is a free for all, as we can see in the Yoga industry, the same is happening to indigenous Baul and has been happening with great intensity since the 1970's when this lineage pioneered Baul throughout Bengal, all over India and globally. Whatever, this lineage did, these pretendian Baul copied and followed, including their dress, songs, dance, instruments, names (Das Baul and Dasi) and followed them around the world, even contacting their own connections and contacts.

Bauls are freedom lovers, but the kind of freedom that is drawing people to the Baul mela's these days is not the kind of freedom Baul was intended for.  

However, in the true sense of a lineage I am talking, "thousands of years, before Christianity, before Buddhism, before Islam. Baul was around long before as they follow the path of Dattatreya, Vishnu, Shiva, Brahma and Shakti Sadhana. This one and only lineage of Baul is (Vayu Tula) the path of Krishna'Kali and every Indian philosophy, Upanishads, Tantra, Oral Sanskrit including manuscripts, it is the path of Upanishads, Puranas, and Itihas the Historical epics, Ramayan, and Mahabharat.

Bauls are not illiterate, they are Sahajiya meaning indigenous natural and spontaneous, indigenous mystics called Vaishnava Sahajiya Tantric Bauls of Birbhum, West Bengal, India

They speak oral Sanskrit, Sandhya Bhasha, Braja Bhasha, and vernacular Birbhum Bengali dialect.

The Bauls of the old days are extinct. All we can do is return Baul to the indigenous Baul and stop all the using and abusing of Baul usually for financial jackpots by outsiders who are faking Baul.  

Lineage Baul is very rare. Nabani Das Khyapa Baul is the last authentic Baul to live on earth, he passed in 1969.



Wednesday, December 8, 2010

We are the bird people---we do not know how to walk, we like to fly." Babukishan

The Black listed Journalist.. A sizzling Baul!

Babu Kishan  aka Krishnendu Das Baul


Do NOT copy, All rights reserved 2010 -2040


Eighteen years after he first comes to my apartment in New York, Babukishan Das, son and rhythm drummer of the celebrated Purna Das Baul, comes to visit me again in the Fall of 2000. I know him as Babu.


He started out phoning me repeatedly a number of years ago. He wanted to come to the U.S. to connect with American musicians. He told me he has become a success in India writing music for a number of the films being ground out assembly "line-style in Bollywood, which is what India calls the capital of its thriving film industry. India's Bollywood, in fact, now rivals America's Hollywood in selling movie tickets. With its name obviously meant as a take-off of America's original movie capital, Bollywood, is located in India's teeming Bombay, now renamed Mumbai for local political reasons of which I am currently ignorant.


Babu's Indian music is not like Ravi Shankar's sitar music. Babu is a Baul, a product of the famous Bengali Bauls, of which his grandfather, Nabani Das Baul, was the patriarch and of which his father, Purna, is currently the celebrated leader. The Bengali Bauls represent not a religion or a sect or a tribe but a way of life grown from performing in the streets. In other words, Baul music is one of India's folk musics. Fusing it with a combination of America's myriad musical genres is an interesting concept. Not a bad idea at all! In fact, the idea is so good, it started rekindling dreams of musical entrepreneurship in my battered brain.


Babu starts out by phoning me a lot. I tell him to buy a computer and email me, because that'll be cheaper. He does just that and starts filling my inbox regularly. But, before we do anything else, he wants me to write a story about him for my website. He sends lots and lots of photos of himself. Every day. I get another email from Babu full of information about himself and about the Bauls. Soon, he sweet talks a web-tekki named Mary into setting up a Babukishan website for him.


But when I finally go to his website to look it over, I get this message: "BROKEN HEART--SITE CLOSED." Turns out that Mary and Babu had a spat and she closed down Babu's website. Next thing you know, Mary thinks it over and recognizes Babu is just following the Baul way of life, which is Casual with a capital C. Next thing you know, Mary fills my inbox with 24 messages containing all the material that had been on the website she erased. Eventually, Babu tells me she now calls herself Mary Das Baul.


Now, I am confronted with a massive overdose of Babu's information. This comes at a time when I am not only overwhelmed by my never-ending duties as editor and one-man staff of THE BLACKLISTED JOURNALIST, an e-zine that requires a new issue on the Internet every month, but I also have begun the exciting and time-consuming task of publishing THE BEST OF THE BLACKLISTED JOURNALIST in a series of paperback books. I find myself paralyzed by indecision. Do I really have time to turn my attention to Babu? Then I get this email:


Subject: hi al,i am in newyork...babu
Date: Fri, 26 Sep 2003 08:27:45 -0700 (PDT)
From: babukishan das babukishan@yahoo.com
To: info@blacklistedjournalist.com


In New York, Babu is in Queens. My keyboardist son, Joel Roi, volunteers to go get him. Soon, Babu is here in my crowded apartment. It turns out that although Babu, now 41, has a big hit in India and claims to've made a name for himself in Bollywood's relentless movie mill, he still has to tour with his father, the great Purna Das. That's why he's in the U.S. He's touring with his father's troupe, performing for the most part before Indian "migr? audiences across our nation.

In my pad, which is strewn with papers, cassettes, books, pamphlets, computers, files, file cabinets and everything else I can't find when I need it, Babu says he has a kurta punjabi for me---a long Indian shirt like the silk and elegant bright orange one he's wearing. Only, the kurta punjabi is back in Queens. He's forgotten to bring it with him.


He brings me a cassette of his hit, Soulmate, on MIL MUSIC INDIA, which Babu tells me is topping India's music charts. We play it and I find it lilting, delightful and endearing. Again, Babu tells me he wants me to write a story about him like the one I wrote about his father 18 years ago. I tell him I will when I get around to it.


That evening, my son drives Babu to my old friend David Amram's farm in Westchester. David is a famous master musician, who conducts symphony orchestras, leads a jazz group, is a French horn virtuoso, plays almost every other musical instrument known to man and delights audiences by accompanying himself while singing rap songs he improvises on the spot---something akin to the spontaneous bop prosody of his one-time buddy, Beat Generation saint Jack Kerouac. Before leaving my place, Babu says he will be back to see me in a day or two. When I ask Joel Roi what happened when Babu and Amram jammed together that night, he gives me an answer in one word: "Magic."


Dammit! And I couldn't be there! I had to stay chained to my computer. I had an issue of THE BLACKISTED JOURNALIST to get on the web. Or was I being pressed to get VOLUME FOUR OF THE BEST OF THE BLACKLISTED JOURNALIST ready for 1st Books Library, the print-on-demand press in Indiana? There are too many things happening at once.


In the meantime, I am in contact with Sally Grossman, the person who, after being alerted to them by Allen Ginsberg, discovered the Bengali Bauls during her trips to India years ago. She is also the one who brought the Bauls to the attention of Bob Dylan and, in addition, she is is the inheritor of the Bearsville estate of her late husband, music magnate Albert Grossman, the entrepreneur who managed Dylan's rise to prominence. Sally graciously offers her Bearsville Studio as a place to record Babu's fusion music---on condition that David Amram is in charge of the production.


But Babu never returns to my place. Instead, he goes off touring the country with his father's troupe to new adventures and new friends. Eventually, I send Babu an email saying:

David Amram, my son Joel (keyboards) and Hayes Greenfield (sax) and Julian Fenton (drummer), stepson of Apple's Neil Aspinall want to make a fusion album with you and Sally Grossman will make her Bearsville studio available. You want me to write story bout you and I want to write it but right now, I'm tied up working on a Bobby Darin book. And my next column. --Al


And eventually I get an email from Babu:


Subject: i am glad to know ....babu
Date: Fri, 14 Nov 2003 11:08:56 -0800 (PST)From: babukishan das babukishan@yahoo.com
To: al aronowitz info@blacklistedjournalist.com
hi al,
wow! i am glad to know that they like to do fusion music with my music. great!!! i'll be in in new york 10th dec and 'll be there up to 30th dec. tell joe i am happy to hear.how r u?
and ur health?
i am ok.
takecare...
babu


Well, for a long time I don't hear from Babu but that's the Baul way. Casual. In fact, that's my way, too, so I understand. In something apparently written by Sir John Wodroffe, an English scholar, I read:


Well, I tell myself, doesn't that just about describe me, too? But there's more:


Bauls have nothing..no scripture, not even to burn, no church, no temple, no mosque..Nothing whatsoever. A Baul is a man always on the road. He has no house, no abode. God is his only abode and the whole sky is his shelter. He possesses nothing except a poor man's quilt, a small hand-made one-stringed instrument called "ektara? and a small drum, a kettle drum called "baaya." That's all that he possesses---a musical instrument and a drum. He plays with one hand on the ektara and he goes on beating the drum with the other. The drum hangs by the side of his body and he dances. That is all of his religion. Dance is his religion, singing is his worship. He does not even use the word "God."


That's because the Bauls don't believe in an external God? a God in Heaven or in the trees or in nature or in anyplace outsides of themselves, The Bauls believe in a God withinthemselves. To

The Bauls don't have to go
to any kind of church
to worship

the Bauls, God is inside you, me and everyone. To the Bauls, God is the essence of man. And so each human is his or her own temple or church or mosque or synagogue. And so, a Baul's search for God is "withinwards." This is what I read:

. . on the waves of song and on the dancing, he moves withinwards. He goes on moving like a beggar, singing songs. He has nothing to preach. His whole preaching is his poetry. And his poetry is also not ordinary poetry. He's not consciously a poet. He sings because his heart is singing. Poetry follows him like a shadow. . .He lives his poetry. That's his passion and his very life. His dance is almost insane. He has never been trained to dance. He even doesn't know anything about the art of dancing. He dances like a madman, like whirlwind. And he lives very spontaneously.


Well, I think, if that explains Babu, that also explains me. Except, I don't play an instrument. I used to be a pretty good dancer, though. And, like Babu, I do things when I can get around to doing them. And I'll go so far as to join the Bauls in saying, as one writer has quoted them:


We are the bird people---we do not know how to walk, we like to fly."
And, so Babu's own musical group back in India is called 'the Birds."
Did you ever try to catch a bird? That's like trying to catch Babu


In my rekindled dream of musical entrepreneurship, I want to rope him into recording the magic he made with David Amram the night I wasn't there.
Silently, my thoughts call out:
Babu, where are you?
He turns up in New York again in December of 2003 and I try to get my musician friends together.


 I even contact Garth Hudson, The Band's former keyboardist, with whom I helped produce The Bengali Bauls at Big Pink many years ago. But Garth is touring. David Amram is also preparing to tour. He's going on the road with Jack Kerouac's 'sacred scroll," Jack's manuscript of On The Road. As for Hayes Greenfield, he's otherwise busy. And Julian Fenton is still in London. Sally Grossman isn't even around. She's avoiding the winter cold in Palm Springs.


So, Babu spends a night jamming with Joel Roi and one of Joel's musician friends. Joel has invented a device that enables him to stroll and play his keyboard while it's strapped around his neck like a guitar and the next night, he brings Babu to my cramped apartment. Here, Babu delivers the promised kurta punjabi to meEquipped with a dupki, which is something like a tambourine, and also with a bracelet that he calls a ghoonghoor, Babu begins to jam with Joel in my cramped apartment. They get a riff going, with Babu hitting the dupki and shaking the ghoonghoor with hypnotizing percussion.


Before long, Babu starts singing in Hindi and then starts dancing in my cramped place. There's room only for Joel to sit while I'm perched on the edge of my cot. I can't understand a word of what Babu's singing, but he's sizzling. I find myself spellbound by the gracefulness of his dancing and the passion in his voice. Once again, my dreams of musical entrepreneurship start burning and I?m compelled to imagine girls singing a background refrain in English. Enraptured by the show Babu is putting on, I find myself compelled to rise up on my frail legs and start to dance with Babu. But there's room enough only for me to take a few awkward steps.


Afterwards, we go to dinner, Babu goes back to India and I go back to my computer to write this. I guess I've grown too old to have my rekindled dreams of musical entrepreneurship come true. 
--------------------------------------------------------------------------------------------------------------------------


Footnote:


Babu loved Al Aronowtiz as a Baul loves purely, and in that love there is a deep innocence, he was so sad Al passed away in 2005. He still misses him today.


.Alfred Gilbert Aronowitz (May 20, 1928 – August 1, 2005) was an American rock journalist best known for introducing Bob Dylan and The Beatles in 1964.

A graduate of Rutgers University, Aronowitz became a journalist in the 1950s and his work in that decade included a 12-part series on the Beat Generation for the New York Post.

Al Aronowitz was the original manager of The Velvet Underground; getting the band their first gig at a high school auditorium. The Velvet Underground stole Aronowitz's tape recorder and dumped him weeks later when they met Andy Warhol.

Aronowitz introduced Bob Dylan to the Beatles. According to his own journal entries, at this meeting he brought a marijuana joint which would be the first pot smoked by the Beatles.

On August 28, 1964, the Beatles were staying in the Delmonico Hotel in New York City. Aronowitz brought Dylan to meet the band and also introduced them to marijuana that evening. According to John Lennon's interview in Rolling Stone magazine, Dylan "thought 'I Want to Hold Your Hand' - when it goes 'I can't hide' - he thought we were singing 'I get high.' So he turns up with Al Aronowitz and turns us on, and we had the biggest laugh all night - forever."

Aronowitz also claimed that Dylan wrote the song “Mr. Tambourine Man” while staying in Aronowitz’s Berkeley Heights, NJ home.

Aronowitz's son Myles is a well-known photographer, often credited as the still photographer on feature film productions

--------------------------------------


Mary passed away in 2006 from cancer, she worked relentlessly on Babu's web site, and re-editing, and promoting Babu, they were friends, in which Mary became attached to Babu, thus in anger at never being able to capture Babu, she took with her his "Web site www.babukishan.com", all his instruments, his bank account ect. 
Mary lived in Seattle Washington.








Wednesday, December 1, 2010

India or Bharat (Mata Bharata) Baul is based and only synergistic within Sanatan Dharma aka Hinduism


Bharat: The Ancient Land of Vedas and Sanatan Dharma

The landmass commonly known as "India" carries profound indigenous names, primarily Bharat, also revered as Matru-Bhoomi (Motherland)Puniya-Bhoomi (Sacred Land)Dharma-Bhoomi (Land of Dharma)Swarag-Bhoomi (Heavenly Land), and Prakriti Ma (Mother Nature).

The Vaishnava Sahajiya Tantric Bauls of Birbhum are based on Sanatan Dharma, they are only synergistic within Hinduism. This lineage (Guru shishya Parampara Sampradaya (Kula or sect) is based on Dattatreya and Krishna Sahaja. They are indigenous to the land of Birbhum W Bengal India.

Regarding the ownership of Yoga, it is asserted that India claims its origin. Yoga is a Sanskrit term, originating in Bharat, and while it transcends singular ownership, its deep roots are undeniably within this ancient land.

Bharat is far more than just "India"; it is the sacred land of the ancient Vedas and the birthplace of Sanskrit, the language of the Vedas. Sanskrit is celebrated as a near-perfect language, meticulously crafted to preserve Vedic knowledge. Its brilliance lies in its unchanging nature; concepts conveyed 10,000 years ago retain their exact meaning today. This stands in stark contrast to most other languages, which are inherently fluid and subject to change. A trained Sanskritist understands and safeguards this immutability.

Bharat boasts an indigenous name, language, spirituality, and culture that existed within its landmass long before the advent of other major religions. This rich heritage, meticulously recorded in the Vedas and Sanskrit texts, deserves to be preserved and represented by its original peoples: the Indigenous lineage holders of India. These are the individuals who have mastered Sanskrit, possessing the keys to its intricate codes and its extensive astronomical and astrological histories. This also extends to those who have diligently traveled to India and studied under Gurus within authentic lineages for many years, striving to preserve these traditions as closely as possible to their intended truth of self-realization and enlightenment. The system of Yoga, as described by Krishna in the Bhagavad Gita 5,000 years ago and later codified by Patanjali in the Yoga Sutras, unequivocally originated in Bharat.

Religions such as Islam and Christianity arrived in Bharat significantly later in history. While Buddhism and Jainism also originated in India, they emerged subsequent to the foundational Vedic culture. Most other religions that entered this land, now called "India," did so after the establishment of the Vedic culture, often with explicit intentions of conversion.

Indians, by tradition, are remarkably tolerant, allowing diverse religious practices and even internal variations of what is now known as Hinduism or Sanatan Dharma. This historical tolerance, perhaps influenced by centuries as a conquered land, may have inadvertently led to an acceptance that some now perceive as an inferiority complex, a desire for external validation.

This perspective raises a crucial question: If India's indigenous culture—the Vedic Culture, the Vedas, Sanskrit, Ayurveda, Mahabharata, Ramayana—did not originate in Bharat, where did it? All astrological, astronomical, and scriptural evidence consistently points to Bharat. To assert that India is not Hindu or Vedic is a blatant dismissal of documented history. The indigenous people of India did not originate in Saudi Arabia, Israel, or Europe; all ancient stories, art, and shastra unequivocally point to the landmass now called India.

To claim that India is not Hindu is akin to stating that Saudi Arabia and the Middle East are not Muslim. India is Veda from its very beginning. Veda is Bharat. Bharat is Hindu. Bharat is Yoga. Bharat is Bharat Philosophy, which is Indian Philosophy. It is Sanskrit, it is Veda, it is Bhagavad Gita, it is Mahabharata, it is Ramayana, it is Upanishads, it is Puranic, it is unlimited shastra (some older, some newer), and it is Tantric texts written in Sanskrit. While some elements may incorporate Persian influences, Tantra is a vast subject encompassing Ayurveda, Jyotish, Indian Music, and more, all stemming from an oral tradition written in Sanskrit and Devanagari, originating in Bharat. While Yoga may be practiced by only a segment of India, its traditional practice there often differs significantly from what is seen in the West today. Traditional Yogis and Yoginis primarily practiced in nature. Shiva, considered the greatest of all Yogis, dwelled in solitude on Mount Kailash, covered in ash and immersed in silence, a stark contrast to modern yoga studio lifestyles. While adaptation to changing times is acknowledged, the core essence is emphasized as immutable.

Despite contemporary discussions surrounding Patanjali's Yoga Sutras, Yoga has been a central part of Indian tradition, as prescribed and described in the Bhagavad Gita. Thus, it is undeniably Indian. Veda, Bharat, Sanatan Dharma, self-realization—these are profound concepts that encompass far more than just asana. The modern world often mistakenly equates asana (postures) with Yoga; in reality, asana is but a minuscule part of true Yoga.

Regarding the rightful claim to Bharat, the question is posed: Do Christians? Do Muslims? It is noted that Muslims were given Pakistan and have taken Bangladesh, and there are current concerns about slow, forced conversions of Hindus on the borders of and within Bengal. Christian missionaries are also actively converting Hindus (the indigenous people of Bharat) to Christianity, which is viewed as a new form of conquest. Conversely, Jains, Parsis, and Buddhists (the latter two being offshoots of the Vedas) are not known to engage in conversions.

India is incredibly multicultural, but this reality should not negate the origins and identity of the indigenous people of Bharat. Just as there are indigenous peoples in North America and Australia, there are brilliant indigenous people in India who have diligently preserved Yoga (Tantra, Mantra, Yantra), Shastra, Ayurveda, Jyotish, the Vedas, and Sanskrit under extremely challenging conditions, despite facing encroachment from various religions.

Mahatma Gandhi, a Jain, dedicated his life to preserving the Indian/Bharata way of life and reconnecting the people to their indigenous culture. His last words, "Ram, Ram, Ram, Ram," resonate from the Ramayana. Yoga, in one way or another, stems from this culture; it is a Sanskrit word, not Christian or Muslim. It originates from an oral tradition, and without understanding that oral tradition, Patanjali's concise codes and their connection to the Bhagavad Gita are difficult to grasp.

History has demonstrated the immense value of indigenous cultures, yet often, there is little respect or room afforded to indigenous peoples globally.

Jai Bharata! Jai Vedas! Jai Maa! Jai Guru! Jai Sanatan Dharma!


The Story Behind Word Origins: Hindu, India, and Bharat

As further detailed in the provided research, the etymology of "India" and "Hindu" reveals their external origins:

  • The name "India" is derived from the River Indus (in modern-day Pakistan).

  • In ancient times, the entire Indus river system and its surrounding area, including its seven tributaries (Chenab, Ravi, Sutlej, Jhelum, Beas, and the now-extinct River Saraswati), was called "Sapta Sindhu" (the land of seven rivers). "Sindhu" (meaning river in Sanskrit) not only referred to the river system but also to the culture that flourished along its valleys (the "Indus Valley Civilization" is more accurately the "Saraswati-Sindhu Civilization").

  • The corruption of "Sindhu" to "Hindu" can be traced to early Persian explorers from the Northwest. Due to the phonetic peculiarities of their language, they aspirated the "S" sound in "Sindhu" to produce "Hindu." Thus, to the outside world, the region and its culture became known as the land of "Hindus" (leading to "Hindustan," literally "the land of Hindus"). This name became prevalent after the Mughal invasions, used to distinguish the indigenous culture from that of the invaders.

  • Around 2500 years ago, when the Greeks reached the Punjab plains, they borrowed the name from the Persians, modifying it to "Indos," which later morphed into "Indus" in Latin. The Romans then began to call the entire landmass "India," a name adopted by Europeans.

It is evident that the word "Hindu" initially simply meant "someone living in India" or "related to India," referring to a geographical area rather than a specific religion or set of beliefs. As Dr. Morales notes, "the term Hindu is not a term that is inherent to the religion itself. Rather, the term is known to have been first coined by the ancient Persians, who were culturally, religiously, and perspectively extrinsic to the culture." They mistakenly used it to refer to the Vedic spiritual culture as primarily a geographic and ethnic phenomenon, rather than a religio-philosophical worldview.

Thus, the word "Hindu" is ironically a corruption of the Persian "Hindhu," which is itself a corruption of the Sanskrit "Sindhu," a word merely referring to a river, not a religion. The modern use of "Hindu" for the ancient religion of India is, therefore, a corruption of a corruption of a geographically irrelevant term.

Dr. Morales, in "Word as a Weapon," suggests alternative terms. A strong recommendation is to henceforth refer to ancient Indian achievements as "Hindu achievements" (which they are), and to consistently call the religion "Sanatana Dharma" rather than the "sterile Hinduism."


Bharat: India's True Indigenous Name

India's "official" name is Bharat, given equal constitutional primacy with "India" (as stated in the First Clause: "India, that is Bharat"). There's a misconception that "Bharat" did not exist as a nation until British rule unified various states. This is historically inaccurate. Emperor Ashok's kingdom, for instance, encompassed almost the entire Indian subcontinent, including parts of modern-day Pakistan, Bangladesh, Nepal, and Afghanistan.

Shri Srinivasan Kalyanaraman highlights a Rigveda verse (RV 3.53.12) by Visvamitra: "viśvāmitrasya rakṣati brahmedam bharatam janam" (this mantra of Visvamitra will protect the nation of the people of Bharatam). In Tamil, "bharatam" refers to the Hindu rashtra (nation). Ancient literature, including the Bhagavad-Gita, also refers to large parts of the landmass now known as India as "Bharat" or "Bharata Varsha."

The Srimad Bhagavatam (Scanto V, Chapter 19) further concludes the description of Jambudwipa, listing numerous sacred rivers of Bharata Varsha, emphasizing how its people are purified by touching their waters.

Ultimately, it is crucial to remember and make others aware that India possesses a deep, indigenous name: Bharat. And we should be proud of it.





Jai Bharata.. Jai Vedas... Jai Maa .. Jai Guru.. Jai Sanatan Dharma..

Sunday, November 21, 2010

Pioneer, ONlY Lineage of Baul, all Bauls follow this Lineage!




CopyRight all rights reserved 
NO poaching, No name dropping, taking names off! Means do not use, taking names off and making Baul generic or random as in Baul did this and that, Baul has a name. Baul did not get Padma Shree it was Purna Das Baul, stop using Baul and including random Baul. Use correct Photos not random Baul photos on someone a Bauls story.

This lineage is the only lineage of Baul, they brought Baul to India and the World.

There story has been culturally appropriated, new lineages made up and their songs and poetry stolen under the guise of fake lineages.

All Bauls follow this lineage! They sing their songs, never give credit to the poets.

Take names off even making statements that Bauls do not care who the poets are?

Only an authentic Baul knows who the poets are, to say Bauls do not care is the statement of a fake Baul, someone who is using Baul and making it up as they go watering down and reducing Baul. This is what has led to a Cultural Genocide.

Baul is an indigenous Indian Hindu tradition from Birbhum Bengal Indian. Vishnu Shiva Brahma dvaita (dual) and Advaita (non dual) synergistic within Sanatan Dharma (Hinduism).

The Vaishnava Tantric Bauls of Birbhum are an oral Sanskrit tradition, vernacular Birbhum Bengali and they use a secret coded language called Sandhya Bhasa.

The ones teaching today are teaching, out of books or hearsay. Some repeat over and over that their are 5 types of Baul? This is wrong and has been copied from Babu Kishan's web site, then copied into his fathers book because they copied from Babu Kishan who put it there to see who was copying his writings, long ago, because he could sense that whatever he did was copied and so it was. Baul is NOT Aul, Sai, Dervish, Fakir, Shah, Baul is not Muslim, this is a long story and it will prove one thing that everything Babu Kishan has done has been copied without any attribution?

Reductionism and watering down of Baul, yet collecting donations to preserve Baul? Baul has been preserved by Babu Kishan starting decades ago, since the 1960's and he has observed all the fakes who take and use, making up new lineages that never existed.

They sings the songs of this lineage, they dress as this lineage, especially in Babu Kishan's own design the colourful patch work dress called Guduri, they dance and sing Nabani Das Kyapa Baul style which is Ektara Baya and Nupoor, that is Nabani's style, how can you say you are a different fake lineage? The problem is their Guru copied everything this lineage did, and they have not been around long enough, they just make up lineages and follow what this lineage has completed and then take their names off and call themselves LEGENDARY??

They follow this lineage around the world, calling themselves Legendary and Pioneers.

Making video's of entering the village and people touching their feet, seriously a Baul never lets people touch their feet, let alone to show this is the way of Baul?? Baul never collects people!






#lineagebaul

#baultantra

#baullineage

#baulofbengal

#babukishan

#baulwomen

#baulavadhuta

#baulsaint

#legendarybaul

#nabanidasbaul

#mirrorofthesky

#rabindranathtagore

#osho

#vaishnavabaul 

#vaishnavaaghori


#baul 


#baulmusic


 #tantra 


#babukishan


 #baulgaan


 #nabanidasbaul


 #purnadasbaul 


#bengal


 #india 


#indianmusic


 #shantiniketan



 #baullineage


#bengalibaul 


#baularchive


 #archivedbaul


#Baulhistory


#BaulofBengal 


#BaulofBirbhum


#dasbaul


#Kolkata


 #Bauldocumentary 


#baulkirtan 



#Baulsadhana 


#ektara 


#EkachakraBirbhum 


#gopiyantra  


#baultantra 


#NabonidasKhyapabaul 



#bauldocumentary 


#baulsangeet  


#RabindranathTagore 


#BaulTagore 


#shantiniketanbirbum 


#jainitai 


#jaiguru


 #NityanandaofEkachakra


 #BaulAvadhut


 #Birbhum 


#Tarapith 


#Kolkata 


#IncredibleIndia 


#India


 #VaishnavaBaul 


#TantricBaul  


#sangeetnatakakademi 


#ICCR


#Bhakti


#BhaktiYoga


#Ginsberg


#BobDylan


#Baulsahaja

#Sahaja


#guduri

#bauldress

#radharanidasi

#MonoharKhepa

#BaulMela

#BhavaPagla

#GopalNagar

#timesofindia

#hindustantimes