THE ONLY OFFICIAL HISTORICAL ROOTS 'BAUL ARCHIVE' of INDIGENOUS ANCESTRAL BAUL

THE ONLY OFFICIAL HISTORICAL ROOTS 'BAUL ARCHIVE' of INDIGENOUS ANCESTRAL BAUL
Contact: baulhistorytrilogy@gmail.com / WARNING: DO NOT SUPERIMPOSE OUR LINEAGE ONTO COMMERCIAL COSPLAYERS Do not conflate, superimpose, or link the primary-source archives of this blog onto social media influencers, "Baul Artists," or self-titled "Baul Masters" operating in the commercial Guru-Ma and Guru-Baba donation business. This singular, indigenous parampara is NOT them. For decades, external commercial actors have systematically executed Digital Shadow Footprinting against this one and only lineage—stealing the lifelong labor, international travel, academic breakthroughs, record contracts, and historical coordinates of Baul Samrat Purna Das Baul and KD Babu Kishan. The 'Fake It Till You Make It' Blueprint (1970s–Present): Pretendian refugees and commercial actors built their careers by shadowing Purna Das Baul's rise as Bengal's premier cultural icon. They self-titled themselves "Das Baul" or "Baul," adopting the external attire, instruments, dance forms, and repertoire composed by KD Babu Kishan—who composed over 80% of his father’s music. The Shapeshifting Erasure: Over the past 20 years, these "hawker Bauls" have continually rebranded—shifting from synthetic "Buddhist Bauls" to full-face-painted "Vaishnava Bauls"—while systematically poaching the lived histories of Nabani Das Khyapa Baul (Avadhuta of Tarapith), Purna Das Baul, KD Babu Kishan, and Manju Das (the first and only legitimate Baul woman to tour globally, whose original songs have also been copied). The Identity Fraud: This living ancestral tradition is indigenous (Krishna/Radha Sahaja and Dattatreya Sahaja of Birbhum). It was never "Buddhist Sahaja," and it never spoke Pali. KD Babu Kishan is the first English-speaking Baul scholar to document this unbroken 13-generation oral history. INTELLECTUAL PROPERTY & COPYRIGHT NOTICE © 2010–2040 | BabuKishan.org | All Rights Reserved No Unauthorized Extraction: Do not copy, extract, reproduce, or poach any text, terminology, or historical accounts from this platform. These records are documented exclusively by Krishnendu Das Baul (KD Babu Kishan) under direct initiation from his Guru, Nabani Das Khyapa Baul. Sharing Protocol: You may share content only via direct, original links. Copy-pasting text or scraping terminology without written authorization is strictly prohibited. For inquiries, contact: krishnendudas@mail.com | babukishanproductions@gmail.com. Irreplaceable Heritage: Baul Samrat Purna Das Baul is a singular, irreplaceable figure in world music history. No modern commercial actor holds the Adhikara to replace, replicate, or claim his historical legacy. Modern commercial "Baul" performance is an ersatz simulation; authentic Baul as a living ancestral lineage is protected solely by its direct biological heirs.

Sunday, January 2, 2011

GaurChand Hospital!!

Bengali Kalighat school style of Painting.


Indigenous Identity theft, Indigenous Fraud!
Gaur Chand Hospital 
(Baul song by Nabani's Das Khyapa Baul's Grandfather , 
Grandfather, Ananta Gosia Das Baul this Lineage Baul!
01/02/2011
"Brother, why should we endure any more pain?
We have suffered enough.
Come, all of you who will, visit the hospital of Gaur chand in the Hospital in Nadia.
Never have we seen such relief from sufferings
exploring the city's clinics day after day.
Come, all of you who wish to visit the hospital of Gaurchand in the city of Nadia.

God is the absolute compounder, chief of the hospital.
Nityanand and Shribas are there too,
with Haridas, the compounder, mixing the medicine.
They have painted a sign three stories high
and have in store what you cannot find today.
 The patients are rolling in with one leading the other.

Nityananda has a great reputation
having patients such as Jagai and Madhai, notorious
bandits of time - who were cured in no time.
Come to, come all of you who wish to visit the hospital of Gaurchand.
God has created the medicinal plants
but the medicine is made from a formula with care and the diet
is prescribed by the physician.
Finally, they all dissolve in the devotion to God.
Gosain, the wise one, suggests in his turn,
you will get cured, O senseless one, and conquer your illness.
Come, all of you who wish to visit the hospital of my Gaurchand."

Note.

Gaurchand is referring to Sri Chaitanaya Mahaprabhu..
 as he was a fair skinned man.

Nityananda was a Baul of this lineage, he is the main associate of
Sri Chaitanya and the one who
gave him the Hare Krishna maha mantra.

 Nityananada's lineage had been singing the
Hare Krishna Maha Mantra for thousands of years.

New age Vaishnava reformers have changed the story, ignoring that
Nityananda was a Vaishnava Baul Avadhut.

Baul is an ancient oral Sanskrit tradition of storytelling the ancient shastra, 

preserved in Sanskrit... sung in vernacular Birbhum Bengali for the common folk.


This one and only Lineage is NOTorthodox and believe in spontaneous devotion, natural devotion, Sahaja, Krishna Sahaja.

Bauls were the original Kirtanya's in Bengal. 

Sri Chaitanya was a scholar he learned the
Hare Krishna singing and dancing from Nityananda who is an ancestor of this lineage.

Sri Chaitanya learned the power of chanting and dancing, Bauls are the pied pipers of Love, thus Sri Chaitanya starting his revolution of Chanting and dancing that the Bauls had been doing for thousands of years already. 
Not much is known about this as Bauls do not care, 
they do not have temples to build and books to sell, they have their own practices , however, they do care about who wrote the poetry and always name the poet. In todays world new Bauls do not they just use and never say. Babu Kishan has preserved this lineage since the 1960's that is why New Bauls "the fake it til you make it" Baul followers say Bauls do not care who the poets are? Which is wrong a cultural appropriation.  
No body in this world would know who Bauls are without this family, this lineage. All others follow, there is no other lineage of Baul..