BAUL ARCHIVE - Only Historical Roots of Vaishnava Sahajiya Tantric Baul, Das Baul (Gosai) ©

Babu Kishan's aka Krishnendu Das Baul 4th Book 2026/2027 is now 3 books a Trilogy. The only Historical ROOTS of Baul (Vayu Tula) of 13 generations. Vaishnava Shahjiya Tantric Baul (Gosia Chand) Baul Kirtan, Bhakti, Tantra, Avadhut, Krishna/Radha & Dattatreya Sahaja, Baul is not Buddhist Sahaja. Babu Kishan has preserved Baul history for 65 years , all the firsts and lasts of Baul, they brought Baul to the world. Reclaiming Baul started and finishes here. ©

THE ONLY OFFICIAL HISTORICAL ROOTS 'BAUL ARCHIVE' of INDIGENOUS ANCESTRAL BAUL

Contact: baulhistorytrilogy@gmail.com / WARNING: DO NOT SUPERIMPOSE OUR LINEAGE ONTO COMMERCIAL COSPLAYERS Do not conflate, superimpose, or link the primary-source archives of this blog onto social media influencers, "Baul Artists," or self-titled "Baul Masters" operating in the commercial Guru-Ma and Guru-Baba donation business. This singular, indigenous parampara is NOT them. For decades, external commercial actors have systematically executed Digital Shadow Footprinting against this one and only lineage—stealing the lifelong labor, international travel, academic breakthroughs, record contracts, and historical coordinates of Baul Samrat Purna Das Baul and KD Babu Kishan. The 'Fake It Till You Make It' Blueprint (1970s–Present): Pretendian refugees and commercial actors built their careers by shadowing Purna Das Baul's rise as Bengal's premier cultural icon. They self-titled themselves "Das Baul" or "Baul," adopting the external attire, instruments, dance forms, and repertoire composed by KD Babu Kishan—who composed over 80% of his father’s music. The Shapeshifting Erasure: Over the past 20 years, these "hawker Bauls" have continually rebranded—shifting from synthetic "Buddhist Bauls" to full-face-painted "Vaishnava Bauls"—while systematically poaching the lived histories of Nabani Das Khyapa Baul (Avadhuta of Tarapith), Purna Das Baul, KD Babu Kishan, and Manju Das (the first and only legitimate Baul woman to tour globally, whose original songs have also been copied). The Identity Fraud: This living ancestral tradition is indigenous (Krishna/Radha Sahaja and Dattatreya Sahaja of Birbhum). It was never "Buddhist Sahaja," and it never spoke Pali. KD Babu Kishan is the first English-speaking Baul scholar to document this unbroken 13-generation oral history. INTELLECTUAL PROPERTY & COPYRIGHT NOTICE © 2010–2040 | BabuKishan.org | All Rights Reserved No Unauthorized Extraction: Do not copy, extract, reproduce, or poach any text, terminology, or historical accounts from this platform. These records are documented exclusively by Krishnendu Das Baul (KD Babu Kishan) under direct initiation from his Guru, Nabani Das Khyapa Baul. Sharing Protocol: You may share content only via direct, original links. Copy-pasting text or scraping terminology without written authorization is strictly prohibited. For inquiries, contact: krishnendudas@mail.com | babukishanproductions@gmail.com. Irreplaceable Heritage: Baul Samrat Purna Das Baul is a singular, irreplaceable figure in world music history. No modern commercial actor holds the Adhikara to replace, replicate, or claim his historical legacy. Modern commercial "Baul" performance is an ersatz simulation; authentic Baul as a living ancestral lineage is protected solely by its direct biological heirs.

Sunday, April 17, 2022

Babu Kishan's Hanuman Chalisa recording, singing by Hari Om Sharam, is the first recorded and the most listened to Hanuman Chalisa and of any Devotional song in India and stories of a Baul in Bombay!

Fraud in Indian Music, Indigenous Identity theft and Indigenous Fraud.

https://lineagebaul.blogspot.com/2025/02/indigenous-identity-theft-indigenous.html

BabuKishan.org

April 17th, 2022

Raj Thackeray is the shadow of Bal Thackeray.

https://bhavaproject.weebly.com/news-blog

BabuKishan.org

4/17/2022

When I had a great Connection as friendship with (Bindumadhav) Binda Thackeray #BindaThackeray the Eldest Son of #Bombay's one & only #Supremo #BalasahebThackeray ( I invited Bal Thackeray to release my Music Albums from 1980’s).

Bal Thackeray -
https://en.wikipedia.org/wiki/Bal_Thackeray

Binda Thackeray:
https://www.freepressjournal.in/entertainment/bal-thackeray-son-bindumadhav-thackeray-accident-death-lesser-known-facts

I never said, anything about myself or my life in Bengal from where or who my family was. They knew me as the, honest 'Manager of A&R at CBS International' among other music companies, they knew me as the guy who knew Indian Music and the Music & Entertainment industry.

I recorded Music and released a huge amount of #MarathiMusic and Sponsored #Maharashtrian events, by instructions of Binda, he was always good to me, most others were scared of him but he was my good friend. We were friends, 1983 to 1996 when he passed away.

Binda Thackeray introduced me to his cousin Raj Thackeray, and even 1988 - I could tell back then, Raj was always interested in Politics.

Raj Thackeray is Bal Thackeray's, brothers Srikant's Son . Bal is uncle to Raj Thackeray.

Bal Thackeray's other son's are Jaydev and Uddhav, all are very talented in their way.

But when I mets Raj’s 'father' Shrikant Thackeray i noted that he was a versatile personality, artistic, musical who had many creative endeavours. Shrikant Thackeray was the first to sent me a specific Music store. I was wandering around Bombay trying to buy a reasonable Harmonium and I bumped into Shrikant who directed me to a specific music store. I bought a great Harmonium along with some percussion instruments. Shrikant a popular journalist, cartoonist, film critic, music composer and singer.

I recored and released some of Shrikant's Marathi Music, unique musical works as I was working as Manager & Consultant for all the major record companies in Bombay. We became friends, he told a bit of his family history, how their father was a versatile personality and studied in Calcutta, from where I came from.

Shrikant Thackeray Brother of Bal Thackeray

https://www.marathi.tv/personalities/shrikant-prabhodankar-thackeray/

I supported and helped a lot during Binda’s qwn home production phase, we planed to start a Music/ Audio Company, the name of 'Bindatone', I was a consultant for Binda's project but I could not be linked there as I was working for CBS, I appointed Kulkarni to be in charge. I had to be a silent participant as I was already working for CBS International at Dalamal Tower, Nariman Point, so I was sleeping Consultant.

We used to meet at Drumbeats Restaurant at Tardeo or Palihil, Bandra. I knew Binda from 1983 to 1996.

At the same tine I realized that Raj had a a fire in himj growing regarding politics. Back then I said, Raj is a shadow of BalaSaheb aka Bal Thackeray who was the leader of Shiv Sena who stood up for Hinduism,

After Binda’s sudden death, the whole family was shocked so was I, all of our plans just disappeared. I used to meet his family sometimes, but later I was so busy with my work for taking care of my career and family.

I never used my connections, I never took any advantage of any of these people, I was more interested in creative work and inspirations. Allen Ginsberg told me, I am a shadow of Nabani Das Khyapa Baul my Grandfather Guru. There are not many who understand me but I know who I am and what I do.

My character is and always has been that of a true Baul, poet and music composer, supporter of others. Music is my soul, I have never been tricky or opportunistic. I have had connections at the highest level in Film, Music, Spirituality, Politics but have never used anyone or anything to my advantage. Could be a fault but I am born this way.

I still think Raj can be next Bala Saheb Thackeray, he has fire in every way, he totally fit for politics from a young age, a great speaker and can rule all of Maharashtra easily.

Raj Thackeray - He should come frontline.
https://en.wikipedia.org/wiki/Raj_Thackeray

Raj Thackeray: the man who is telling the Islamic mosques in Mumbai to turn off their loud speakers or else he is going to play the Hanuman Chalisa all over Mumbai May 5, 2022.

I hope he is going to play Babu Kishan's Hanuman Chalisa with the most listened and first recorded Hanuman Chalisa singing by Hari Om Sharam, produced recorded arranged by Babu Kishan with over 2 billion listens. Not only the most listened to Hanuman Chalisa but the most listened to of any Indian Devotional Music.

#SangamTalks #TheRanveerShow #TRS #JaipurDialogues #IndicPodcast #TheIndicHeritagePodcast

General & Other

#baul #historicalBaul #pioneeringBaul #baulwomen #baulsaint #legendarybaul #baulartist #BaulGuruShishyaParampara #Baulparampara

"Authentic Baul" #AuthenticBaul

"Vaishnava Sahajiya Tantric Bauls" #VaishnavaSahajiyaTantricBauls

"Birbhum Baul" #BirbhumBaul

"Nabani Das Khyapa Baul" #NabaniDasKhyapaBaul

"Babu Kishan Baul" / "Krishnendu Das Baul" #KrishnenduDasBaul

"Baul Guru Shishya Parampara" #BaulGuruShishyaParampara #Baulparampara

"Baul philosophy" #Baulphilosophy

"Krishna Kali unity" #Krishnakali

"Raai Raja lila" #RaaiRajaLila

"Real Baul history" #Baulrealhistory

"Baul cultural appropriation" #baulculturalappropriation

"Endangered Baul lineage" #Baulendangeredlineageparampara

#BaulandRamakrishna

Baul and Ramakrishna is only associated with KD Babu Kishan as he is the only Baul to be a monk in the Ramakrishna Mission for 12 years, this is a first and last in Baul.

#Baul&Tantra

Baul and Tantra is only associated with Nabani Das Khyapa Baul and KD Babu Kishan, Baul and Tarapith is only associated with them both too. Those others are not Baul as Baul Artist of an non-indigenous Baul is not a Baul but a users, poser, actor trying to remake the already lived lives of this parampara, do you speak the language, do you know what they are singing or who is the owner of the songs, or even if the songs are Baul songs, no you do not, so don't make emotional promotional comments when you do not even understand. You are cheering for a fake Baul and have no clue.

The practice of "Baul Kirtan-anga" Copyright, all songs will be reclaimed that belong to this lineages.
#BaulKirtan
(only this lineage, parampara, no one used Baul kirtan until they read it on this blog, this is downright appropriation and false advertising by fake opportunistic self-titled so-called Bauls for marketing purposes, they have appropriated this lineages intellectual property, it can be proven and must be brought to the attention of the public because they are asking for donations and fundraising for jackpots, awards, grants and are not Baul, their Guru is a fake Baul Guru.
The "Rasa Lila Mystics" this is the only lineage parampara that is Vaishnava and Vaishnava Sahajiya Gosia Chandra Das Baul and Dasi, there is not another, never was. #BaultheRasaLilaMystics
"Baul Tantra Mantra Gopi Yantra". Copyright, no poaching
#Baultantramantragopiyantra
"The path of the Avadhuta". Copyright there are no other Baul Avadhuta's and that title only belongs to this lineage or singular parampara, there is not another. They make Baul a no name generic Baul while claiming the intellectual property and the already lived firsts and lasts of this lineage. I have documented thousands of misuse of Baul for over 20 years, if you would like to see my research contact KD Babu Kishan, his website is listed throughout this blog and website
#BaulthepathoftheAvadhuta
"Baul Sahaja is Krishna & Dattatreya Sahaja". Copyright and only mentioned by KD Babu Kishan
#BaulsahajaKrishnaDattatreyasahahaja

The Windcatchers (Vayu Tula). #BaulVayuTula. #baulwindcatchers

#India #lineagebaul #baultantra #baullineage #baulofbengal #babukishan #baulwomen #baulavadhuta #baulsaint #legendarybaul #nabanidasbaul #mirrorofthesky #rabindranathtagor #osho #vaishnavabaul #vaishnavaaghori #baul #baulmusic #tantra #babukishan #baulgaan #nabanidasbaul #purnadasbaul #bengal #india #indianmusic #shantiniketan #baullineage #bengalibaul #baularchive #archivedbaulbn#Baulhistory #BaulofBengal #BaulofBirbhum #dasbaul #Kolkata #Bauldocumentary #baulkirtan #Baulsadhana #ektara #EkachakraBirbhum #gopiyantra #baultantra #NabonidasKhyapabaul #bauldocumentary #baulsangeet #RabindranathTagore #BaulTagore #shantiniketanbirbum #jainitai #jaiguru #NityanandaofEkachakra #BaulAvadhut #Birbhum #Tarapith #Kolkata #IncredibleIndia #India #VaishnavaBaul #TantricBaul #sangeetnatakakademi

"Authentic Baul" #AuthenticBaul

"Vaishnava Sahajiya Tantric Bauls" #VaishnavaSahajiyaTantricBauls

"Birbhum Baul" #BirbhumBaul

"Nabani Das Khyapa Baul" #NabaniDasKhyapaBaul

"Babu Kishan Baul" / "Krishnendu Das Baul" #KrishnenduDasBaul

"Baul Guru Shishya Parampara" #BaulGuruShishyaParampara #Baulparampara

"Baul philosophy" #Baulphilosophy

"Krishna Kali unity" #Krishnakali

"Raai Raja lila" #RaaiRajaLila

"Real Baul history" #Baulrealhistory

"Baul cultural appropriation" #baulculturalappropriation

"Endangered Baul lineage" #Baulendangeredlineageparampara

#BaulandRamakrishna

#Baul&Tantra

The practice of "Baul Kirtan-anga"
#BaulKirtan
The "Rasa Lila Mystics" Raasa leela Mystics, Raas Tattva (this lineage only)
#BaultheRasaLilaMystics
"Baul Tantra Mantra Gopi Yantra".
#Baultantramantragopiyantra
"The path of the Avadhuta".
#BaulthepathoftheAvadhuta
"Baul Sahaja is Krishna & Dattatreya Sahaja". #BaulsahajaKrishnaDattatreyasahahaja

The Windcatchers (Vayu Tula). #BaulVayuTula. #baulwindcatchers

#India nendu Das Baul (Gosia Chandra) aka Babu Kishan

#baul

#baulmusic

#tantra

#babukishan

#baulgaan

#nabanidasbaul

#purnadasbaul

#bengal

#india

#indianmusic

#shantiniketan

#baullineage

#bengalibaul

#baularchive

#archivedbaul

#NityanandaofEkachakra

FORMAL NOTICE OF INTELLECTUAL PROPERTY & LINEAGE COPYRIGHT DATE: August 22, 2026 ISSUED BY: The Office & Archives of Krishnendu Das Baul (KD Babu Kishan / Gosi Chandra) & Sandra A. Hirschkorn Das REGARDING: Protection of 13-Generation Ancestral Heritage, Oral Archives, Compositions, Recordings, and Lineage History TO WHOM IT MAY CONCERN, ALL PUBLISHERS, RECORD LABELS, MEDIA PRODUCERS, ACADEMICS, AND INDIVIDUAL PERFORMERS: NOTICE IS HEREBY GIVEN that all compositions, original lyrics, musical arrangements, audio/video recordings, historical documentation, terminology, disciplic lineages, and oral transmissions belonging to Krishnendu Das Baul (KD Babu Kishan / Gosi Chandra)—and the unbroken ancestral line of Baul Samrat Padma Shri Purna Das Baul and Nabani Das Khyapa Baul—are fully protected under international copyright law, intellectual property regulations, and the principles of Indigenous Cultural Heritage and Self-Determination. For over six decades, Krishnendu Das Baul has painstakingly preserved, documented, recorded, and safeguarded the authentic Vaishnava Sahajiya Baul tradition of Birbhum. This heritage represents over 13 generations of documented physical disciplic continuity and an even older oral tradition. 1. PROHIBITED ACTS OF INFRINGEMENT & APPROPRIATION The following acts—whether committed by commercial artists, stage performers, content creators, media influencers, or academic researchers—constitute direct intellectual property theft and unauthorized exploitation: Unauthorized Recording & Performance: Re-recording, performing, sampled usage, or commercial distribution of songs, melodies, poetry, and musical arrangements created, composed, or preserved within this specific disciplic lineage without written authorization. Lineage & Identity Theft ("Remaking"): Falsely adopting the exclusive title of Das Baul / Dasi Baul, fabricating fictitious disciplic lines (Paramparas), or falsely claiming lineage authority (Adhikara) derived from this family's work and historical achievements. Appropriation of Historical "Firsts and Lasts": Misappropriating the documented historical achievements, international performance records, film works, and global pioneering milestones of KD Babu Kishan, Purna Das Baul, and Manju Das Baul. Visual & Performance Co-opting: Reproducing the specific ancestral attire, performance styling, and sacred practices of this lineage to market non-lineage products, commercial workshops, or digital monetization schemes under the guise of "Baul." Academic & Textual Poaching: Unattributed extraction of proprietary oral histories, lineage terminology, and private documentation published via our official blogs, archives, and forthcoming book trilogy. 2. COMPARATIVE INTELLECTUAL PROPERTY STATEMENT If modern digital influencers and contemporary artists strictly assert legal copyright over short-term creative media, how much greater is the inviolable legal and moral right of a 13-generation indigenous spiritual bloodline whose entire history, musical canon, and cultural identity are being systematically poached and reproduced without consent? The unauthorized monetization of this indigenous heritage is an illegal exploitation of protected cultural and creative assets. 3. FORMAL RESERVATION OF RIGHTS & LEGAL RECOURSE ALL RIGHTS RESERVED. No part of this musical catalog, historical record, oral lineage data, or literary work may be reproduced, distributed, re-recorded, performed, translated, or transmitted in any form—digital, print, mechanical, or acoustic—without the express prior written consent of Krishnendu Das Baul and Sandra A. Hirschkorn Das. Any party found to be re-recording stolen compositions, falsely attributing lineage authority, or profiting off the uncredited intellectual property of this lineage will be subject to: Immediate Take-Down Demands: Issued under DMCA and international digital copyright frameworks across all media, music streaming, and publishing platforms. Public Qualification & Formal Exposure: Forensic documentation of stolen material will be published in official historical registers and upcoming authoritative publications. Legal Proceedings: Action for copyright infringement, commercial misrepresentation, and damages under applicable national and international intellectual property laws. SIGNED & AUTHORIZED BY: Krishnendu Das Baul (KD Babu Kishan / Gosi Chandra) Primary Lineage Holder, Master Composer, & Archivist Sandra A. Hirschkorn Das Author, Co-Archivist, & Legal Representative Contact & Licensing Verification: babukishanproductions@gmail.com